Tag: worldbeat

Robert Wyatt – Comicopera (2007)

Albumet og artisten plukket jeg opp av en kompis for noen år siden. At Wyatt var til de grader innvevet i prog-verdenen min ble jeg faktisk ikke klar over før i går. Jeg likte plata umiddelbart, mye på grunn av de (tilsynelatende) enkle og skranglete låtene og det analoge soundet. I stedet for polerte synth-pads (som jeg er vant til), er det gjerne et par halvsure blåsere som spiller en tone hver i bakgrunnen. Vokalistene – og spesielt Wyatt selv – er også skranglete og sjarmerende, tilsynelatende uskolerte vokalister med rar aksent og talefeil gir igjen en veldig kontrast til mye av musikken jeg hører på til vanlig.

Det er også en inderlighet i både tekst og musikk. Og selv om jeg ikke har gått dypt i meningen på de ulike sangene, er det en herlig avveksling til tekst som:

I am not shattered.
Out of the ashes I rise.
Knowing that nothing is stronger than faith.
Finding hope in our hopeless lives.

*Highlights*:
A Beautiful Peace
Be Serious
Out Of The Blue

Men det er absolutt helheten, kontrastene og de musikalse metareferansene (plukker opp melodier, toner, stemninger og temaer fra tidligere spor på plata) som gjør at jeg mener dette er et spennende og givende album.

Talking Heads – Remain in Light (1980)

Remain in Light is the fourth studio album by American New Wave band Talking Heads, released on October 8, 1980 on Sire Records. It was recorded at locations in the Bahamas and the United States between July and August 1980 and was produced by the quartet’s long-time collaborator Brian Eno. The album peaked at number 19 on the Billboard 200 in the US and at number 21 on the UK Albums Chart. Two singles were released from Remain in Light: «Once in a Lifetime» and «Houses in Motion» as well as promotional single «Crosseyed and Painless». The record was certified Gold in the US and in Canada during the 1980s.

The members of Talking Heads wanted to make an album that dispelled notions of frontman and chief lyricist David Byrne leading a back-up band. They decided to experiment with African polyrhythms and, with Eno, recorded the instrumental tracks as a series of samples and loops, a novel idea at the time. Additional musicians were frequently used throughout the studio sessions. The lyric writing process slowed Remain in Light’s progress, but was concluded after Byrne drew inspiration from academic literature on Africa. The artwork was crafted with the help of the Massachusetts Institute of Technology’s computers and designing company M&Co.. Following the album’s completion, Talking Heads expanded to nine members for promotional concerts.

Remain in Light was widely acclaimed by critics. Praise centred on its cohesive merging of disparate genres and sonic experimentation. The record has featured in several publications’ lists of the best albums of the 1980s and the best albums of all time. It is often considered Talking Heads’ magnum opus. In 2006, it was remastered and reissued with the addition of four unfinished outtakes.